Mixcraft is an excellent recommendation I hadn’t heard of it until I Googled up this list.
Is really cheaper the price of this Mixbus 32 C-5 and the workflow is really the best, actually is the top DAW.
#Mixbus 32c v5 update pro#
The best, easiest to used quickly, the most logic for audio, MIDI, editing and for used Kontakt 6 is mixbus 32 C-5, in second position is Machine 2, the position 3 is Logic Pro X. I started work also with Protools version 8 HD3 in 2006, is the most stable DAW for mixing and editing, the problem with AVID is the upgrades because they are very expensive, when we buy Protools HD3 in 2006 the price is like 14 000 UDS, and the Digidesign sync I/O, Command 8 are not compatible with the new Protools HDX and you need buy new Mac or PC.įor used Kontakt 6 I try Studio One 4, Ableton Live, Cubase Pro 10, Logic Pro X, FL Studio, Bitwig Studio, Propellerhead Reason, Cockos Reaper, MOTU Digital Performer, Mixcraft Pro Studio, mixbus 32 C-5, N.I. I started the music with sequencer in 1989 with Notator SL in Atari 1040 STE and is very stable and is the best for editing in MIDI, after I work in PC with Logic Platinum but is block so many times, after when Apple buy Emagic I used Logic Pro X with Apple and the problem with Logic Pro X with Mac Pro (cylindre, 2013 version) is not really stable, when is used with Kontakt, the CPU is quickly in the maximum for nothing and the computer block always, Apple technicians trying to fix it with me by phone but never the problems gone. Bitwig is just so much more streamlined for my needs. I will still have to use Cubase for anything involving ARA2 or working with video audio, but aside from that I will never use it again.
So far my only gripe with Bitwig Studio 4 is the transient detection when slicing loops needs a lot of work & I miss Cubase Pro’s mixer snapshots when mixing down.
#Mixbus 32c v5 update mod#
No multi assignable macros, no native modulators, no multiband FX wrappers, no FM synth, projects get super cluttered fast with MIDI tracks added only for routing purposes, if you want to use a modulation shaper (like LFOtool) and you can only use it as a MIDI CC mod source.īitwig blows Cubase 11 out of the water when it comes to sound design, synthesis, sampling. I used cubase for many years, but it was becoming tedious to use as a sound design & electronic production environment. It is so far beyond what any other DAW is capable of in this area, but your main pro point for it was a feature that isnt out yet? No mention of Bitwig’s (groundbreaking) modulation system?
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